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O'Dair, Barbara. "Yoko Ono" (Interview with Yoko
Uno.) Rolling Stone, issue 773. New York:
Straight Arrow Publishers, Inc. Nov. 13, 1997.
114-115.
In the article, "Yoko Ono," the author, Barbara
O'Dair, a writer for Rolling Stone,
conducted an interview with the artist-musician to
review the role of a Japanese woman artist in
American culture. O'Dair began by questioning Ono
about the position of women in art and music, as
well as their ability to influence other aspiring
artists. She then followed with questions about the
role of Ono's music, and the influence of her
husband's, John Lennon, career had had on her
music. O'Dair highlighted the change of the role of
women in rock, and the shape of human emotions as
forms of artistic expression, among others. From
the World War II bombings, to the sudden death of
her husband, throughout her life she has had to
turn to music and art as ways in which she was able
to maintain her sanity. In other words, she turned
her anger into music and artistic expression. Ono
was able to "transform that [negative]
energy into creativity." Furthermore, O'Dair
admired how Ono looked beyond the cultural post-war
tensions between Japan and the United States, and
was able to live as an artist in New York City. She
took this point further by emphasizing her
interracial marriage to John Lennon, and her
insistence to push the importance of women in
modern society cross-cultural relationships. The
article was a positive representation of our
current ideas about art in American society. O'Dair
recognized art's function as a reflection and also
a force that has the ability to shape us as a
society.
O'Dair could have asked deeper questions. Her
questions were choppy, and did not flow clearly
from one idea to the next. For example, she moved
from addressing Ono's public image misconceptions
to the next question of her kinship with Linda
McCartney, because they were both married to
Beatles. Then, her next was about the power rock
possesses to shape the society. They did not flow
together nicely.
Hilary Amoss
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